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The story begins in Haiti, on Mother's Day, when young Sophie discovers that she is about to leave the only home she has ever known with her Tante Atie in Croix-des-Rosets, Haiti, to go live with her mother in New York City. These early chapters in Haiti are lovely, subtly evoking the tender, painful relationship between the motherless child and the childless woman who feels honor bound to guard the natural mother's rights to the girl's affections above her own. Presented with a Mother's Day card, Tante Atie responds: "'It is for a mother, your mother.' She motioned me away with a wave of her hand. 'When it is Aunt's Day, you can make me one.'" Danticat also uses these pages to limn a vibrant portrait of life in Haiti from the cups of ginger tea and baskets of cassava bread served at community potlucks to the folk tales of a "people in Guinea who carry the sky on their heads."
With Sophie's transition from a fairly happy existence with her aunt and grandmother in rural Haiti to life in New York with a mother she has never seen, Danticat's roots as a short-story writer become more evident; "Breath, Eyes, Memory" begins to read more like a collection of connected stories than a seamlessly evolved novel. In a couple of short chapters, Sophie arrives in New York, meets her mother, makes the acquaintance of her mother's new boyfriend, Marc, and discovers that she was the product of a rape when her mother was a teenager in Haiti. The novel then jumps several years ahead to Sophie's graduation from high school and her infatuation with an older man who lives next door. Unfortunately, this is also the point in the novel where Danticat begins to lay her themes on with a trowel instead of a brush: Sophie's mother becomes obsessed with protecting her daughter's virginity, going so far as to administer physical "tests" on a regular basis--testing which leads eventually to a rift in their relationship and to Sophie's struggle with her own sexuality. Soon the litany of victimization is flying thick and fast: female genital mutilation, incest, rape, frigidity, breast cancer, and abortion are the issues that arise in the final third of the novel, eventually drowning both fine writing and perceptive characterization under a deluge of angst.
Still, there is much to admire about "Breath, Eyes, Memory," and if at times the plot becomes overheated, Danticat's lyrical, vivid prose offers some real delight. If nothing else, this novel is sure to entice readers to look for Danticat's short stories--and possibly to sample other fiction from the West Indies as well. --Alix Wilber
29 of 31 people found the following review helpful:
Edwidge Danticat has written an exceptional and beautifully crafted novel about a young Haitian girl and the family of women that surround her. A somber, spiritual story told with a feverish tenacity that will bewitch you and leave you aching for more from this talented and gifted writer.
After twelve years of being raised in Haiti by her aunt Atie, young Sophie Caco has been summoned by her mother to join her in New York. Sophie is terrified and does not want to go, especially since she does not remember her mother, who left Haiti when Sophie was just a baby. What follows is a painful rendering of horrifying secrets and Haitian tradition that deeply affects Sophie and the way she lives her life. Finally, frantic for justification and healing, Sophie turns to her homeland for the answers and refuge she so desperately needs.
The flow of the writing is smooth and lyrical, like music that rolls off the tongue. There is just enough description to make vivid pictures, but not too much to overwhelm. I do find it lacking in the development of the relationship between Sophie and her mother, although not enough to interrupt the beauty and quality of the story. Readers will be awed at the strong determination of the Caco women and the unbreakable bonds that hold them together. A very poetic and powerful novel that mixes a family, their culture, and a country in the midst of political upheaval. Breath, Eyes, Memory is extraordinary.
23 of 24 people found the following review helpful:
13 of 13 people found the following review helpful:
The only flaw I can find in this book is that more character development was needed. I wanted to learn more about the aunt that raised her and the relationship between Sophie and her mother was never fully examined.
The writing however was beautiful and I enjoyed that aspect of it immensely. Danticat makes each of us realize that family can give us much strength but we need to make the change within ourself in order to become a stronger person. Sometimes a cycle within a family needs to be broken. Thankfully Sophie realizes this power and seizes it.
Definitely a novel worth the read.
15 of 17 people found the following review helpful:
6 of 6 people found the following review helpful:
The next section details the tentative first steps of Sophie and her mother as they feel out the parameters of a mother-daughter relationship. This is complicated by the fact that Sophie was the product of her mother being raped as a teenager by a Tonton Macout.
This transition from Haiti to New York is fine and would be a solid basis for a novel, but Danticat now starts skipping forward in large chunks of time. Suddenly, Sophie is 18 and enamored of an older neighbor who is a musician. Her scandalized mother begins to probe her nightly to establish that she has maintained her virginity. Tempers explode and we skip ahead again. Sophie has married the musician and had a child, but she's estranged from her mother, has developed sexual phobias and has fled to Haiti with her child. From here the novel descends into all the worst topicality of the 90's and we see how it made Oprah's Book Club. We're immersed in bulimia, sexual dysfunction, female genital mutilation, therapy, suicide, etc.
Ultimately, after a strong and promising beginning, I have to say that the author lost me. I appreciated the opportunity to be exposed to a side of Haitian life that we rarely see, but then we're buried in a blizzard of psychoblither. I expect to see better from this author in the future.
GRADE: C-
